(A HEART IN WINTER), the critically acclaimed classic starring Emmanuelle Beart and Daniel Auteuil about an aloof repairer of fine musical instruments, a concert violinist and a complicated love triangle. Beautiful violin virtuoso Camille has two obsessions: the music of Ravel, and a friend of her husband's who crafts violins, but his heart seems to be as cold as her playing is passionate. Winner of two Cesar Awards, Un coeur en hiver is a masterpiece by all definitions.

Daniel Auteuil (12-time C sar Award nominee for BestActor), Emmanuelle B art and Andr Dussolli r star inthis sublimely sensual, provocative and critically-acclaimed film. Camille (B art), a concert violinist, becomes intrigued by her lover's business partner, Stephane, an aloof repairer of fine musical instruments. She interprets his distance as a sign of intellectual seduction, but Stephane i

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Stephane is partnered with Maxime (Andre Dussollier) in a thriving business. Maxime is everything that Stephane is not: gregarious, confident, extroverted. Together they form a successful team. Maxime brings in the clients and Stephane does the work. They both are quite happy.

One day Maxime introduces Stephane to his new love, Camille (Emmanuel Beart), a beautiful violinist. He is cold to her at first, but the music she makes gradually stirs something in him. She in turns responds to him. She can sense that he has the heart of a musician, but something is wrong. Something is keeping him from opening his heart to anyone else. That something is music. Stephane is surrounded constantly by beautiful music, but none of it emanates from him.

We come to realize why Stephane, once a promising musician, gave up music. The sounds his fingers made could never equal the music he heard in his soul so he quit. Rather than risk the pain of further disappointment in life, he chose instead to feel nothing at all. If that meant forgoing love, it was a price that he had to pay.

Camille eventually confesses to Maxime that she is in love with his partner. Maxime is hurt, but what can he do? She goes to Stephane. We can see that he probably loves her as well, but still he refuses her. He will not allow her into his heart. She is hurt by this, but she has her music and Maxime and, perhaps, that is enough. She is too proud to play the woman scorned.

Emmanuelle Beart gives a truly wonderful performance as Camille. She is stunning to look at, of course, but as a gifted actress, she will not settle for just that. Her work is meticulously crafted, imbibing her role with dignity and grace. She studied for a year to learn to be a convincing violinist and she succeeds magnificently.

Daniel Auteuil is also excellent, playing the difficult part of a man who keeps his thoughts and emotions very much to himself. It is a subtle performance, filled with poignant suggestions and nuances. His carefully guarded expressions and manner prove that still waters do run deep.

As is typical of most of the finer French films, "Un Coeur en Hiver" is a very mature, adult film. Not in the sexual sense--there is nothing even remotely objectionable in it--but rather in terms of its thoughtfulness and sophistication. The relationships in this film, as in real life, demonstrate that love is never easy. There isn't always a happy ending, and just because a man and a woman should get together, that does not mean they will.

17 of 18 found the following review helpful:

Devotion, dreams and their agonising absenceOct 29, 2000
By Mr. Cairene
It's a fine art this violin tuning. Watching the characters in Claude Sautet's Un Coeur En Hiver (A Heart in Winter) as they debate the clarity, density and heaviness of that instrument's voice, you may think that it's all in their head. The beautiful instrument's incompetence nothing but a manifestation of their own insecurities. But then the process of watching this lovely film is, in itself, a fine art. In its delicate progress, the viewer is drawn in till he/she hears entire exchanges in a shared glance. Pain, humor, relief and agony in a moment of silence. Another person wondering in midway through the film may ask what in the world is so absorbing. There are scenes of great beauty in the film, there is a superb use of music, "those irrelevant dreams". But as in Sautet's somewhat lesser Nelly and Monsieur Arnaud, what is left unsaid, unresolved and unrequited is far more important then what is.

There are two sets of masters and their apprentices in the film. Maxime (Andre Dussollier) and his business partner Stephane (Daniel Auteuil). Together, they own a shop where the reticent Stephane builds and fixes violins with great precision, and Maxime handles the business and social side of things. Then there is Camille (Emanuelle Beart) and her agent Regine (Brigitte Cattilon). Both Camille and Stephane appear frigid at first, they channel all their energy into their work, while the others live their lives for them. It is a convenient way of life for Stephane, the Heart in Winter of the title. But Camille is still open, still warm enough to seek love. So when Maxime introduces Camille as his lover, there is visible hurt on Stephane's face. At first it seems that he is jealous of her, or him, but then I realised that he was jealous of their readiness to, and faith in love. A tentative and unacknowledged romance develops between Stephane and Camille. They meet at the studio, and he takes her out for a drink. For the first time in the film, she smiles. They seem to be comfortable together. And since this is a French film, love is not defined as some magical formula, but a relationship in which each partner could to dilute their obsessions, to be at ease with themselves. But Stephane freezes, he breaks off all voluntary contact with Camille.

It is tempting to think that this abrupt change of heart on his part was because of fear, a reluctance to give up his carefully constructed world. Perhaps his dedication to his craft was so great, that he feared his love of Camille would lessen the quality of his work. Why would he ever attempt to make the perfect violin when perfection is right beside him in Emmanuelle Beart. And my, is she perfect. It is even more tempting to believe that he has abandoned her for the sake of his friend in a Casablanca sort of sacrifice. What makes the A Heart in Winter so special is that Sautet doesn't choose either of those easy answers, although they are viable. Instead we are left with the tragic notion that there are people like Stephane who are incapable of emotion, "Something is broken inside." In a moving scene, Auteuil drives away from Beart, crying. Some will think his tears are for a love he can never acknowledge. Perceptive viewers will understand he is crying because he knows he can never feel love. All he can feel is the lack.

12 of 12 found the following review helpful:

A Frozen Heart in a World of ViolinsDec 02, 2002
By Scott68
This is a wonderful French movie with subtitles, easily one of the best movies I have ever seen, I enjoyed it immensely, so much that I had to buy it to watch again and again.

The movie is about two men who own a violin shop and they both fall in love with a beautiful soloist who becomes their client, her violin is a wonderful sounding Vulliame with an incredible tone. There are wonderful performances of Ravel's trio and sonatas throughout the movie.

The movie makes a profound statement about violin making, musical interpretation, the awkwardness and inconvenience of true love, jealousy, death, inner feelings that are rarely spoken, how friendship can change over a woman, and how a man's heart has become frozen from a life of romantic solitude.

What I found most interesting about the plot is that we do not know if Camille and Stephen will eventually become lovers, he say he will attend her next recital in Paris and she drives away with Maxim looking at him with adoring eyes. Paris is like New York, you have to be big to play there so apparently by this time Camille has become popular. One thing we do know is that Stephen does have a life and says he is not worthless because of his abilities as a violin luthier. In the end, Stephan is left with his violins: woman or no woman we never know if he will be forever trapped in his frozen world...

Fans of "The Red Violin" will love this movie but I would recommend this to anyone who loves romance and violin performance, essential viewing and not to be missed.

14 of 16 found the following review helpful:

Slow and mannered, but exquisite.Apr 13, 2000
By D. Mok
The extremely languid unveiling of the romantic triangle and the endless discussions of art and philosophy may not be for all tastes, but Un Coeur en Hiver would be a success just on the terms of performance and aesthetics.

Emmanuelle Beart once again finds the repressed warmth in a seemingly frigid character, always letting a sense of vulnerability (but also defiance) bleed from an arrogant surface. Daniel Auteuil cleverly shrinks into the background with a very restrained performance, and Andre Dussolier is very good as his long-suffering but loyal partner.

The soapy premise is offset by certain key sequences of scathing emotional intensity -- for example, when Beart dons the makeup and starts attacking Auteuil across the table, it's devastating watching her facade crumble in the face of emotional hurt. And then, the best sequences in the film: The scenes of musical performance, where the concentrated ferocity on Beart's face (who allegedly trained 16 months on the violin to prepare for the role), the swirling music, the chemistry of the musicians and the ravished look on Auteuil's face as he listens are about as close as any film has come to capturing the essence of the bond among musicians, where spirits and feelings collide through art.

10 of 11 found the following review helpful:

If you get a chance to see only one Fr. film, then see this.Oct 19, 2001
By Hariharan S.
If you get a chance to see only one French movie, then see this.

I have seen 'Un Coeur en Hiver' many times. I intend to see it for many more years to come. At times I wonder what is that makes me see it again and again. Every time I watch it I find new depths, I find new meanings, I explore new thoughts. The music is too good. I am too ignorant on music to comment any more. But it surely is haunting. The colours in each frame are marvellous, so pleasing to eyes.

Emmanuelle Beart (Camille) and Daniel Auteuil (Stephane) are exceptional in this movie. Camille is charming, focussed, intense but at the same time subtle and vulnerable. Very few can express such controlled emotions. Three scenes are etched in my mind.

One, the way she looks at Stephane after he fine-tunes her violin during her practice session. Nothing is said, except some mono-syllables. Stephane concentrating on her performance, and she judging him, analyzing him -- all expressed with a glance, subtle smile or intense looks. Second, the way she handles her disappointment, anger, sense of betrayal after Stephane rejects her proposal in the car. She waits for her anger to subside, waits to regain self-control and then opens the door and gets out. Superbly acted, so much understated. Third must be one of her finest performance -- the way she lets her lose herself in the restaurant. Sarcasm, indifference, imploration, helplessness, feeling of being betrayed --- all these in sequence in minutes. Then she shivers in anger and explodes and then breaks down. She is ashamed as she is very proud of herself. All these time, Stephane is as cold as winter, not knowing what to do (or he knows what to do but not be able to do it?)

The irony of the movie is that Stephane, a master technician, who repairs and fine-tunes violin strings to make clearer, harmonious music fails to do the same with the broken strings of a gifted violinist.

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