| | |  | Foreign Film | Home » » Kurt Cobain - About a Son | | | | | | | Description: | | Kurt Cobain was deeply suspicious of journalists, but he trusted Rolling Stone's Michael Azerrad enough to give him unprecedented access during the writing of the book Come As You Are: The Story of Nirvana. Consisting entirely of Cobain's never-before-heard musings and recollections recorded by Azerrad and laid on top of newly shot footage of the places that he lived, Kurt Cobain: About A Son offers an intimate portrait of the rocker's troubled formative years and meteoric rise to stardom. The result is the story of one of rock's greatest icons as it's never been told before. DVD Bonus Features:
Additional audio from the Kurt Cobain interviews
Behind-the-scenes featurette | | | Features: | |
• Original music from Death Cab for Cutie's Benjamin Gibbard and Nirvana producer Steve Fisk anchors this documentary about the late grunge rocker. KURT COBAIN ABOUT A SON closely examines the life of the musician from his childhood to his tragic death. Format: DVD AUDIO Genre: MUSIC DVD Artist: COBAIN, KURT Rating: NR Age: 826663107197 UPC: 826663107197 M
| | | Product Details: | | | Actors:
| Kurt Cobain, Michael Azerrad, Courtney Love | | Director:
| AJ Schnack | | Format:
| Color, DVD, Widescreen, NTSC | | Language:
| English | | Subtitle:
| Italian | | Number of Discs:
| 1 | | Studio:
| Shout Factory Theatr | | Run Time:
| 96 minutes | | DVD Release Date:
| February 19, 2008 | | Average Customer Rating:
|  based on 37 reviews |
| | | | Customer Reviews: | |
Average Customer Review:
 ( 37 customer reviews )
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44 of 48 found the following review helpful:
 Kurt Cobain in His Own WordsDec 04, 2007
By Valerie J. Saturen
It is hard to find a single figure that looms larger in recent rock history than Kurt Cobain. It's harder still to come across an artist whose true nature was so obscured, even distorted, by his own legend. About a Son, based on interviews with Come as You Are author Michael Azzerad, offers a rare, sincere, and deeply moving glimpse into Cobain's private world. In the process, it reveals a side of the late musician often left out of sensationalized media portrayals of his life, drug use, and tragic end--he is perceptive, thoughtful, and quietly articulate, reflecting on his experiences with a candor unmatched in other interviews.
What makes the film unusual among documentaries is director AJ Schnack's determination to stay out of the way and allow Cobain to tell his own story. Eschewing the typical documentary format in which the viewer's gaze is focused on the subject, About a Son creates the sense of looking out through Kurt's eyes, seeing the images he would have seen and hearing the music he listened to. There are no Nirvana songs--just the music that inspired and influenced Cobain--and the visuals are a montage of evocative images of Aberdeen, Olympia, and Seattle. Listening to Kurt's sleepy, gravelly narration (most of the interviews were conducted in the wee hours of the morning) against the backdrop of these images elicits the feeling of taking a long stroll and talking intimately with an old friend.
As you stroll through Washington streets slicked with rain, passing floating bundles of Aberdeen timber, punk rock Olympia kids, and the city lights of Seattle, Kurt talks about his parents' divorce, his lifelong sense of isolation, the unexpected consequences of fame, and his unabashed devotion to his wife and daughter. He tells of a life clearly fraught with pain and depression, yet fueled with creative passion. The personality he reveals is one of contradictions: the desire for recognition vs. the desire for solitude; deep concern for humanity vs. revulsion toward humanity's darker side; a harsh reality vs. a longing for the simplicity of childhood.
About a Son is as much a portrait of the Pacific Northwest as it is a rendering of Kurt Cobain. Alongside breathtaking cinematography, Cobain's narrative shows that many of these private contradictions were the product of a deep-seated ambivalence toward his environment. As a child, he was alternately comforted and stifled by small-town Aberdeen; as a budding artist, he was nurtured by Olympia's creativity, yet felt like an outsider; in his Seattle days, he helped place the city on the musical map while deriding media hype about the "grunge scene."
As the lone figure of Cobain fades at the film's end, one cannot help but feel the loss of an extraordinary artist--and an extraordinary individual--as he vanishes from sight.
16 of 17 found the following review helpful:
Finally a film about Nirvana that matters!Jan 03, 2008
By Eric Stiner
"Eric"
Until now I don't think I have ever seen a film or piece of journalism that has accurately conveyed Cobain's impact on the world and the worlds affect on him. For most of my teenage years I admired Cobain's punk rock disdain for the press and interviews. But it made him a very mysterious figure. Some how this film maker got Kurt to sit down and speak candidly for hours about his life as it pertains to Nirvana. The cinematography is awesome. You can almost feel his ghost haunting each frame as Kurt's voice narrates the story of Nirvana. This film is really moving. If you own one film about Nirvanas visual history it should be this one.
2 of 2 found the following review helpful:
 InnervisionsFeb 18, 2008
By D. Hartley
It's nearly impossible to be a pop culture aficionado living here in Seattle and not be reminded of Cobain's profound impact on the music world. Every April, around the anniversary of his death, wreaths of flowers and hand taped notes begin to appear on a lone bench in a tiny public park sandwiched between the lakefront mansions I pass on my way to work every morning. Inevitably, I will see small groups of young people with multi-colored hair and torn jeans, making their pilgrimage and holding vigil around this makeshift shrine, located a block or two from the home where he took his own life.
"About a Son" is a reflective and uniquely impressionistic portrait of Cobain's short life. There are none of the usual talking head interviews or performance clips here; in fact there is nary a photo image of Cobain or Nirvana displayed until a good hour into the documentary. Nonetheless, director A.J. Schnack is holding an ace; he was given access to a series of surprisingly frank and intimate audio interviews that Cobain recorded at his Seattle home circa 1992-1993. He marries up Cobain's childhood and teenage recollections with beautifully shot footage of his hometown of Aberdeen and its Washington logging country environs. As Cobain's self-narrated life story moves to Olympia, then inevitably to Seattle, Schnack's POV travelogue follows right along. The combination of Cobain's narrative voice with the visuals has an eerie effect; you begin to feel that you are inside Cobain's temporal memories-kicking aimlessly around the depressing cultural vacuum of a blue collar logging town,walking the halls of his high school, sleeping under a railroad bridge,sitting on a mattress on a crash pad floor and practicing guitar for hours on end.
The film is almost an antithesis to Nick Broomfield's notorious and comparatively sensationalistic documentary "Kurt and Courtney". Whereas Broomfield set out with a backhoe to dig up as much dirt as quickly as possible in attempting to uncover Cobain's story, Schnack opts for a more carefully controlled excavation, gently brushing the dirt aside in order to expose the real artifact. And again, in spite of the relative dearth of actual visual images of its subject, "About a Son" succeeds in giving us a thoroughly intimate portrait of the artist. I also should give a nod to the fantastic soundtrack (although Nirvana themselves are conspicuously MIA). A unique and moving rockumentary.
1 of 1 found the following review helpful:
Are you a Martian?Jun 17, 2010
By E. A Solinas
"ea_solinas"
Unless someone magically comes across one lying in a box somewhere, we are never going to get a Kurt Cobain autobiography. The closest thing we'll get is "Kurt Cobain - About a Son," a documentary cobbled out of Michael Azerrad's interviews with the late rock'n'roll star -- and Cobain both explores his own past and strips away some of his legends.
The interviews took place in the early nineties over the course of a few months, about a year before Cobain's tragic death. Some are in person, and a few are over the phone. They're pleasantly informal and laid-back, since Cobain munches on a sandwich during one segment, and is occasionally interrupted by Courtney.
Over the course of several interviews, Cobain reflects on his life before rock stardom -- his childhood and his hometown, his formative years of mischief, his love of punk rock, his desire to be a rock star, and the early days of Nirvana. Cobain also contemplated drugs, health problems, his allure to flies, his quirky art, Courtney Love, fatherhood, turtles, misanthropy, death, oregano, journalists (I guess Azerrad was an exception), his bandmates, being onstage, the future of rock'n'roll, and his own reputation.
Since the interviews were taped with sound only, director AJ Schnack fills the screen with soundless, strangely ambient images from Seattle, Olympia and Aberdeen. Musicians, stores, logging machines, streets, forests, houses and faces pass by quietly -- as well as some weird cartoons. It feels a little like a nostalgic look through Cobain's own eyes.
Cobain himself was a remarkable person who has been overshadowed by his own posthumous legend (even when he was alive). In these interviews, he sounds like an intelligent man sitting down to have a frank conversation with a friend -- he sounds relaxed, laid-back and mostly at peace with his life as it then was, particularly when talking about his child (he recounts how when he saw her in a sonagram, she was making the "hook 'em horns"). He has a lot of funny anecdotes, and a childlike fascination with the world that is truly endearing.
But as the interviews go on, we start seeing the multifaceted, contradictory creature that Cobain was -- darkness/light, loathing/fascination with people, childlike/painfully mature, earnest/jaded, passionate/lazy, craving fame yet somewhat disgusted by it.
It's obvious he had learned a lot from his past, since he spends a lot of time analyzing his own youthful mind and how people saw him ("I usually am enjoying myself; I'm hardly ever depressed anymore"). Near the end, he even comments that his own personal problems are not unusual or the worst, showing that he had grown up a lot -- when asked if his was a sad story, Cobain laughs and says, "No... not really, I mean... it's nothing that's amazing or new, that's for sure."
And Cobain made some eerily prophetic statements as well -- he complains about rock'n'roll ("It's sad to think what the state of rock'n'roll will be in about twenty years from now...") and discusses death ("If I was gonna blow my head off with a gun, I may as well take the risk of dying from drugs").
"Kurt Cobain: About a Son" is a bittersweet experience -- it offers some truly beautiful insights into the mind of a true artist, but leaves you wishing he hadn't departed quite so soon.
1 of 1 found the following review helpful:
 ReHashMar 24, 2010
By Jodathechoda
"Jodathechoda"
I am a huge Nirvana and Kurt Cobain fan. I've read countless books and biographies. I have seen a lot of footage.
This movie was unique in the way it was put together but if you know anything about Kurt Cobain or have read anything about him, this will be old news to you. The interviews used have been used before and I felt like I was watching old reruns. I actually fell asleep midway through and woke up toward the end to shut it off.
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